Ietim Gurji Statue

The Ietim Gurji Statue serves as a humble tribute to one of Tbilisi’s most authentic voices. Located in a quiet square off the bustling streets of the Sololaki district, this monument honors Ietim Evdokimov, a renowned 20th-century folk poet and ashugh (minstrel). Unlike the grand, imposing monuments dedicated to political figures, this bronze statue stands at a human scale, reflecting the poet’s own modest life and his deep connection to the ordinary residents of the city.

The Poet of the Tbilisi Streets

Born in 1875, Ietim Gurji was a fixture of the city's old neighborhoods. He spent his life wandering the narrow alleys, observing the struggles and joys of the working class. His verses were unique for their time, often written in a linguistic blend of Georgian, Armenian, and Azerbaijani. This reflected the true, multicultural fabric of 20th-century Tbilisi—a city where different traditions lived side-by-side. His poems were never formal; they were meant to be recited in courtyards and small taverns, acting as a chronicle of daily life, economic hardship, and the simple ironies of the era.

Artistic and Historical Context

Sculpted by Jumber Jikia, the monument captures the poet in a relaxed, contemplative posture, as if he has just stopped to observe a scene unfolding before him. The decision to place the statue in a small square, rather than on a high pedestal, was intentional—it keeps the poet accessible to the people he wrote about. The statue has become a symbol of the Bohemian spirit that once defined the soul of Old Tbilisi, representing a time when poetry was an oral tradition shared among neighbors.

Visiting and Atmosphere

Standing in front of the statue, one can still feel the quiet, reflective atmosphere of the old city. It is a perfect spot to pause while exploring the winding streets of Sololaki. The area is dense with historic residential buildings, many featuring the famous ornate balconies that define the city's architecture. Because it is slightly removed from the main tourist drag, it remains a peaceful site. Early mornings or late afternoons provide the best lighting for photography and a more intimate experience with the sculpture. It is a reminder that the true character of Tbilisi is not found only in its massive cathedrals, but in the people and stories that once filled its courtyards.